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・ The Rough Guide to Acoustic Africa
・ The Rough Guide to African Disco
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・ The Rough Guide to Bhangra (2010 album)
・ The Rough Guide to Blues Revival
・ The Rough Guide to Cajun & Zydeco (1998 album)
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The Rough Guide to Desert Blues
・ The Rough Guide to Dub
・ The Rough Guide to English Roots Music
・ The Rough Guide to Flamenco (1997 album)
・ The Rough Guide to Greek Café
・ The Rough Guide to Highlife (2003 album)
・ The Rough Guide to Irish Music (1996 album)
・ The Rough Guide to Native American Music
・ The Rough Guide to Psychedelic Africa
・ The Rough Guide to Reggae
・ The Rough Guide to Salsa (1997 album)
・ The Rough Guide to Scottish Music (1996 album)
・ The Rough Guide to Tango (1999 album)
・ The Rough Guide to the Music of Afghanistan
・ The Rough Guide to the Music of Brazil (1998 album)


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The Rough Guide to Desert Blues : ウィキペディア英語版
The Rough Guide to Desert Blues

''The Rough Guide To Desert Blues'' is a world music compilation album originally released in 2010. Desert blues refers to the music of the Tuareg people and related nomad groups of the Sahara, who perform a style of music considered the root of the American Blues genre. This was first popularized in the West by Ali Farka Touré and has more recently been carried by a new wave of artists such as Tinariwen.〔
Part of the World Music Network Rough Guides series, the album contains two discs: an overview of the genre on Disc One, and a "bonus" Disc Two highlighting Etran Finatawa. Disc One features nine Malian tracks, two Sahrawi, and one each from Mauritania and Niger. The compilation was produced by Phil Stanton, co-founder of the World Music Network.〔(【引用サイトリンク】 About Us - The WMN Story )〕〔(【引用サイトリンク】 Various – The Rough Guide To Desert Blues )
==Critical reception==

The album met positive reviews upon release. Robert Christgau called the compilation an "accessible variant" of the ''Rough Guide to the Music of the Sahara''.〔 He went on to include it in his top albums of 2010. Chris Nickson of AllMusic named it a "thorough introduction" to desert blues but called the Amadou & Mariam track "the odd one out", claiming it doesn't represent the genre.〔 David Maine of PopMatters said that while albums in the series could be hit-and miss, this one had "far more hits than misses." Calling Tinariwen "the greatest band in the world right now, bar none", Maine explained that he'd long wondered whether similar acts were "ripping off" Tinariwen, and that the album had emphatically proven that they are "not simply mimicking" the band's success.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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